Adobe Audition How to Separate Again the Track
Audition: Multitrack Editing
Last week, I wrote about recording audio in Adobe Audition – [ click to read ]. This calendar week, I want to comprehend multitrack editing, in training for a mix.
Adobe Audition, similar Apple tree Soundtrack, provides two dissimilar ways to edit sound: a multitrack mix and a waveform edit. Multitrack mixes are non-destructive, while waveform edits are destructive. (Destructive means that information technology makes permanent changes to your sound files.)
Audition is a highly-capable audio editor which has been used in broadcast for years, even so, it has some quirks which make it operate differently from Soundtrack Pro.
This article covers audio imported into Audience for editing – or audio that was recorded in Audition. In a divide article, I'll encompass how to send files from Final Cut Pro seven (or earlier) to Audition for a mix. I've besides recorded a detailed video tutorial that illustrates Audition'due south very powerful audio repair capability, which yous tin review here.
GETTING STARTED
Open Audience
Select File > New > Multitrack session (or type Command+North)
Unlike Soundtrack Pro, where you simply drop clips into the Timeline for editing, with Audition you need to specify the projection properties before y'all showtime.
IMPORTANT NOTE: Once you set project properties, you tin can't change them. If the sample charge per unit of your audio clips doesn't lucifer the projection property settings, your clips will be resampled, which generally reduces audio quality.
In this case, I titled this session "My Multitrack Session." (Yous can, of grade, title your session any fashion you similar.)
Then, I clicked the Browse push button, navigated to my 2nd Drive and created a new folder to serve equally the session folder. This is where Audition volition store all the elements related to this project. While not required, I STRONGLY recommend you store all media on a dissever drive and not in the Home directory of your boot bulldoze.
The project Sample Rate needs to match the sample charge per unit of your clips (see the Sidebar below).
Leave the Bit Depth set to 32 (float). This provides higher quality for mixing, even though you will probably output your finished file at 16-bit depth.
Master refers to how you desire to output your file: Mono, Stereo, or 5.1 (Surround). In most cases, today, nosotros will probably use Stereo, which is the default.
Once you have these settings configured, click OK.
SIDEBAR: HOW TO Observe THE AUDIO SAMPLE Charge per unit
QuickTime Player is a fast mode to see the sample rate of an audio clip.
Open the audio clip in either QuickTime Ten or QuickTime 7.
Type Control+I (QT Ten: Window > Testify Motion-picture show Inspector -or- QT 7: Window > Get Info)
The floating HUD displays the sample rate of the prune in the Format section of the HUD. In this example, the sample rate is 44,100 Hz.
GETTING ORIENTED
By default, Audition creates a multitrack project containing six tracks. While there is lots of control over the appearance of your clips and the interface, here's a fast way to get started.
Become to the Workspace popup carte du jour and select Default. (A workspace is how you organize tabs and panes. There are several variations shipped with Audition and you can easily create your own.) This provides a standard way to piece of work with the awarding, and it also means that your screens will match mine. (When editing audio to picture, I change the workspace to Edit Audio to Video.
IMPORTING MEDIA
In this case, we will edit 2 tracks of audio that were recorded in Soundtrack Pro. (I'll save working with audio and video files for another commodity.)
To import a media file (audio or video) do one of the following:
* Select File > Import > File
* Type Command+I
* Right-mouse-click inside the Files pane and select File > Import.
Imported media files are displayed using white text, while session (projection) files are displayed in xanthous.
NOTE: Meet the gold edge around the Files pane? This indicates which pane is selected; Adobe calls the pane "in focus." If you lot ever wonder why something isn't doing what it's supposed to exercise, be sure you lot have the right pane selected.
To add together an audio file to a track in the Multitrack project, do one of the following:
* Elevate and drop it on a track
* Right-mouse-click the clip and cull Insert Into Multitrack > [ Projection name ]
Dragging allows you to position the clip anywhere in the Timeline. While mouse-clicking the clip puts it at the position of the playhead (CTI) on whichever rail is selected. (You select a track by clicking anywhere inside it. The runway will plough a lighter shade of night gray.)
If y'all need to sync multiple clips on multiple tracks, right-mouse-clicking is better than dragging, as all clips volition marshal with the Playhead.
EDITING AND TRIMMING
Editing and trimming are very similar to Final Cutting Pro or Soundtrack Pro. Trimming tools are located in the Toolbar at the tiptop of the window. We are interested in the outset 4 icons on the left in the screen shot below.
The Movement tool (keyboard shortcut: V) allows you to select and move clips.
The Razor Blade tool (keyboard shortcut: R or RR) allows you to slice a single clip, or multiple clips. This works just like the Razor blade tool in Terminal Cut Pro.
The Sideslip tool (keyboard shortcut: Y) allows you to slip the contents of a clip, without moving the clip.
The Time Selection tool (keyboard shortcut: T) allows you to select a range on the Timeline that can span from one to many clips. (More on this in a minute.)
To trim the In or Out of a prune, motion the mouse to the edge of a prune and watch for the red trim indicator. Drag the selected edge with wild abandon. This is the same every bit doing a Ripple trim.
To slip the contents of a clip, you need handles on at least 1 cease. If you have edited the entire prune to the Timeline, yous won't exist able to slip it. Select the Slip tool (Y), then click and elevate anywhere within the waveform of a clip.
To select a range within a clip, or across multiple clips or multiple tracks, select the Time Choice tool (T). Elevate to select a range. And then, do one of the following:
* To delete the range and leave a gap, printing the big Delete primal
* To delete the range and remove the gap, press Option+Delete
* To delete the range and remove the gap across all tracks, press Shift+Control+Delete
You lot tin can also admission all these commands from the Edit > Ripple Delete carte or past right-mouse-clicking in the selected region.
To move clips between tracks, elevate them. To prevent them from moving from side to side, concord the Shift key down while dragging.
To delete a clip, select the clip and printing the Delete key. (This only removes it from the Timeline, information technology does not remove it from the Files pane, or your hard disk.)
INTERFACE GOODIES
Double-clicking a clip opens it in the waveform editor. Be careful here, because all your changes are permanently recorded in the file.
To move between projects, click the proper name of the project tab at the top of the Timeline and select the project you lot want to move to. At that place'south no limit to the number of projects, or sound files, that you tin take open at ane time.
To plow snapping on or off, either click the snapping logo (see screen shot to a higher place) or select Edit > Snapping and pick the options yous desire to snap to. (You lot could also type South)
Audition has a number of groovy interface tricks upwards its sleeve. For instance, the zoom in/out controls are all located on the right side, virtually the bottom. Click one of these magnifying glass icons and watch what happens. (You tin likewise type – or = )
To fit everything in the window, click the fifth icon in from the left or blazon Command+
Using the Prune menu, or correct-mouse-clicking a clip, yous can:
* Rename a clip
* Change the color of a prune
* Lock a clip in Time.
This last option is very sweet. Locking a prune allows you to move it up or downwards tracks, but prevents information technology from shifting from side to side. This allows you to move a clip without losing sync. Cool!
Oh! The spacebar starts and stops playback … merely you probably figured that out past now.
Adding FADES
When it comes to adding fades, Audition is far more flexible than either FCP or Soundtrack Pro.
To add together a fade, click the small box in the top left (In) or correct (Out) corners of a clip and drag sideways.
However the VERY cool role is that when you drag the fade handle up or downwardly, yous can alter the shape of the fade! This is far more than flexible – and easier – than adding fades in FCP or STP. In this screen shot, I've add together a fade that starts slowly, and so speeds up at the end. This is a good way to encompass a coughing or precipitous audio at the kickoff of a prune.
MIXING
I'm saving mixing for another article, nonetheless, only to cover the basics, you lot modify clip volume past dragging the yellowish horizontal line running through the heart of each clip up (to brand the clip louder) or downwardly (to make the clip softer).
Recall to be SURE your audio levels never exceed 0 dB!
Salvage YOUR WORK
Different Soundtrack Pro, Audience has an autosave built into it. It will save your work every 10 minutes, unless you change this time to something different in the Preferences.
However, it is a good policy to never trust autosaves completely. As you are working, save your work by typing Command+S.
WRAP-UP
If y'all accept it installed on your system, and haven't played with it yet, at present is a good time to get acquainted with Audition. This is a very capable audio editing and mixing program. I've had fun learning it and I'm looking forward to sharing more of information technology with you in the future.
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